You could say the same about a lot of westerns, like Hondo, where a mysterious stranger comes to save the day for simple folk. But this is different, and he's not there to save the day -- It's by far Eastwood's most ambitious film, storywise - a Biblical allegory. Eastwood said that his character was "an out-and-out ghost." Taken from Revelations..."...behold a pale horse: and his name that sat upon him was Death, and Hell followed with him." Highest-grossing western of the '80s.